Abstract
This article on the evolution of Thai comic performance investigates its symbiotic relationship with Buddhist belief in the Middle Way, the nonextreme mode of existence. From the ritualistic comic performance of Buddhist monks to the modern genre of Westernized stand-up comedy, Thais celebrate the value of sanuk (fun) and the achievement of social harmony. However, while older comic forms mock stupidity, inferiority, and vulgarity, the popular stand-up comic Udom Taephanit avoids confrontation and criticism and therefore does not portray the extremes of society needed to fully appreciate the value of the Middle Way.
| Original language | English |
|---|---|
| Pages (from-to) | 439-456 |
| Number of pages | 18 |
| Journal | Asian Theatre Journal |
| Volume | 31 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2014 |
| Externally published | Yes |
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